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- Stereo recording to Compact Flash (CF) media
- 44.1kHz to 192kHz recording resolution at 16- or 24-bit
- Time-stamped Broadcast WAVE file format
- Audio files continually re-saved to safeguard against data loss
- XLR mic inputs with phantom power
- SPDIF digital I/O
- Built-in mono microphone and speaker for desktop interview applications
- FireWire interface for fast data transfer to a computer
- SMPTE/LTC timecode input on locking XLR balanced jack
- Angled screen for table-top or shoulder strap use
- Shortcut keys and LED indicators for frequently-accessed functions

HD-P2 Downloads Preliminary Information
Quick Start Guide
Owner's Manual
Field Reference Guide

| TASCAM HD-P2 | features | specs | accessories | media | buy | downloads |
 Ultra-High Definition Broadcast WAV Recording with SMPTE
Answering the call of remote recording engineers, the HD-P2 is the professional solution for the challenging requirements of live and on-location applications. It writes uncompressed Broadcast Wave audio files at up to 192-kHz/24-bit resolution for audiophile quality to CompactFlash (CF) or Microdrive media. Files are instantly available through the built-in high-speed FireWire computer connection and can be loaded into DAW projects with sample accuracy.
Unlike consumer MP3 sketchpads, the professional HD-P2 incorporates high-end features like SMPTE timecode and clock input for synchronization to video recorders or other external devices while in record or playback. Its XLR microphone inputs include phantom power and a limiter to curb unpredictable distortion during live events. The user interface has been designed for fast and intuitive use under stressful one-take-only situations, and with its large, angled LCD, the HD-P2 is perfect for any application from over-the-shoulder location recording to concert recording and commercial use. FEATURES • Great for Location
The shoulder-slung design of the HD-P2 with its included locking strap makes it a natural choice for film production recording. The CompactFlash media is safely recessed and latched to prevent accidental ejection, and audio can be recorded locked to timecode and video reference for absolute lock. It runs for approximately 5.5 hours on readily-available AA alkaline batteries, and weighs less than two pounds with batteries installed. At the end of the day, recordings can be instantly transferred to an editor through the FireWire jack or a CF reader for use in a non-linear editor to sync dailies or to conform dialog during post. • High-definition Recording - To Go
The HD-P2 records in stereo from 44.1kHz to 192kHz, at 16- or 24-bit, to affordable CompactFlash (CF) media. Not only is CompactFlash absolutely silent, so no transport noise will show up on your recording, but the recorded audio is written directly as Broadcast WAVE (WAV) files for immediate use in digital audio workstations. The unit even includes a FireWire jack for the fastest possible transfer of files to your PC or Mac computer.
The professional design of the HD-P2 extends to convenient details that pro users will appreciate. The Retake button allows the user to delete the last recording and set up to re-record with a single button press. As audio is recorded, the file headers are continually re-saved to protect your recording against accidental data loss. Files can be named from the front panel interface or using a PS/2 keyboard, which can also be used to control transport and setup features.
On the input side, the unit has a pair of XLR mic inputs with phantom power and analogue peak limiting to curb distortion during unpredictable live events. The input level control allows the user to change the level without taking their eyes off the action. The HD-P2 also features unbalanced RCA ins and outs as well as SPDIF digital I/O. Monitoring is available through a headphone out - again, with its own ergonomic level control - using a built-in speaker. A built-in microphone is also provided for interviews and educational use. • Built-in Synchronization
TASCAM's HD-P2 comes standard with a full-featured timecode input - making it the most affordable recorder with built-in timecode ever made. Incoming LTC is connected to the locking XLR input for timestamping your Broadcast WAVE (WAV) files from a central clock. Not only does the recorder timestamp your recorded audio with sample accuracy, the HD-P2 chases incoming timecode during playback for review or loading into an editor. A video clock input allows frame edge resolve to a central blackburst source or use as a lock-and-release timecode slave. There's also a freewheel setting for use with unpredictable timecode sources.
For maximum compatibility with the post production world, the HD-P2 supports pull-up and pull-down sample rates, even at high-resolution settings. The video clock input accepts tri-level sync for high-definition television (HDTV) production.
• Precise recording quality for capturing a live performance
The HD-P2 192kHz/24-bit recording resolution is so precise, you can almost hear what brand of cork was used for the conductor's baton (it says here in Tascam's charmingly American literature). The high-quality mic preamps provide phantom power to handle sensitive condenser microphones, and the analogue limiter protects the recording against sudden transient distortion. With the high capacity of today's CompactFlash media, you'll even be able to enjoy the performance without constantly watching the time remaining meter.
• Seriously professional features - simple and affordable too
Although the HD-P2 was designed for demanding film shoots and live concerts, it's still simple and affordable enough for use in everyday classrooms, churches and home studios. School band and orchestra leaders can use it to record rehearsals for students, and then record concerts to sell for fundraising. House-of-worship leaders can record their services for duplication on CD, and its high-speed FireWire connection provides instant access to the recording, so that CDs can be authored and duplication can begin as the laity files out of the church.
With professional connectivity, built-in synchronization, high-resolution recording and Compact Flash convenience, the HD-P2 is the professional solution for serious recording in a reliable, portable package. • Recording timeThe following chart provides approximate recording times for the HD-P2. To use the chart, first find the audio resolution you plan to record in. Move down the chart to find the length of recording time you need. Then move left to see what size CompactFlash card you'll need to use. | | Recording time depending on memory size and recording resolution (Hours:Minutes) |
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CF Card | 44.1k/16-bit | 48k/16-bit | 48k/24-bit | 96k/24-bit | 192k/24-bit |
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| 512MB | 00:50 | 00:46 | 00:31 | 00:15 | 00:07 | | 1GB | 01:36 | 01:30 | 01:00 | 00:30 | 00:15 | | 2GB | 03:18 | 03:06 | 02:00 | 01:00 | 00:30 | | 4GB | 06:42 | 06:12 | 04:06 | 02:00 | 01:00 | | 8GB | 13:30 | 12:24 | 08:12 | 04:06 | 02:00 |
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TASCAM HD-P2 MAIN FEATURE LIST | info | specs | accessories | media | buy | downloads | • HD-P2 Recording features
• Portable high-definition stereo recorder - ideal for electronic news gathering and other high-quality recording tasks in the field
• Recording media: CompactFlash, Microdrive - reliable, easily obtainable media for quick and easy audio transfer to computers (via CF card reader)
• 16- or 24-bit recording resolution at sample rates from 44.1 kHz through 192 kHz - produce state-of-the-art recordings at standard or high resolutions compatible with CD, SACD and DVD audio
• Uncompressed, time-stamped Broadcast Wave file format - is easily imported into DAW software and spotted into projects with sample accuracy
• Pre-Record Cache - permanently stores the last 5 or 10 seconds (selectable) when in Record Ready to even capture audio events happening before actually starting the recording (can be disabled)
• Retake function - allows user to re-do last recording with a single button press
• Audio files continually re-saved - to safeguard against data loss
• Comprehensive system and transport control - from the front panel or a PS/2 keyboard | • HD-P2 Inputs & outputs
• Balanced XLR mic inputs with phantom power, 20-dB PAD, and analogue peak limiter - connect two dynamic or condenser microphones, PAD reduces input level when recording from high sound pressure sources, limiter guards against unpredictable overloads
• Low-cut filter on each analogue input - reduces low-frequency noise (impact, rumble, hum, wind etc.)
• Unbalanced stereo line input (RCA) - record directly from any stereo line level source (mixer etc.)
• Unbalanced stereo line output (RCA) - use HD-P2 as playback source; transfer your recordings to analogue equipment
SPDIF digital input and output (coaxial) - record from digital sources, transfer your recordings digitally to any mixer, recorder etc.
• Headphone output (6.3-mm stereo jack) - monitor recordings with studio headphones
• Built-in mono microphone and speaker - for desktop interview applications
• FireWire port for connection with computer - easy and fast file transfer to PC or Mac
• Analogue level controls - allow easy operation without the need to look at the unit | • HD-P2 Synchronization features
• SMPTE/LTC timecode input on locking XLR balanced jack - timestamps Broadcast Wave recordings from SMPTE input
• Chase locks to incoming SMPTE timecode
• Video clock input - resolves to house clock
• Tri-level sync support - for HDTV applications
• Includes Frame Lock, Lock and Release and flexible Freewheel settings for unpredictable timecode sources
• Pull-up and Pull-down sample rates included - for video format compatibility | • HD-P2 Convenience features
• Familiar tape machine-style layout and function
• Easily enter/edit file names via Computer Keyboard
• Large, angled, uncluttered LC display - for table-top or shoulder strap use
• Shortcut keys and LED indicators for frequently-accessed functions
• Recessed Compact Flash slot
• Runs on eight AA batteries (Alkaline, NiMH or NiCd) or DC power adapter - approximately 5.5 hours of operating time on battery power
• Durable and lightweight housing for field use
• Supplied accessories: Shoulder Belt, Carrying Case, AC adapter CS-P2 |
• General |
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| Recording media | CompactFlash card (40x/80x), Microdrive | | File system | FAT16, FAT32 | | Recording format | Broadcast Wave audio files (BWF) | | Quantization | 16/24 bit linear | | Sampling frequencies | 44.1/48/88.2/96/176.4/192 kHz | | External clock | SPDIF, Video (NTSC or PAL), LTC, Word | | Frame rates | 23.976, 24, 24.975, 25, 29, 29.97 DF/NDF, 30 DF/NDF |
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• Audio inputs and outputs |
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| MIC input | 2 x XLR-3-31 (1: GND, 2: HOT, 3:COLD) | | Input impedance | 1.3 kOhm | | Input level | –60 dBu (Trim max) to –13.8 dBu (Trim min) | | Maximum gain | 46.2 dB | | Headroom | 16 dB (22 dB with limiter) | | PAD | 20 dB | | LINE input | 2 x RCA | | Input impedance | 10 kOhm | | Input level | –46.2 dBV (Trim max) to 0 dBV (Trim min) | | Maximum gain | 46.2 dB | | Headroom | 16 dB | | LINE output | 2 x RCA | | Output impedance | 100 Ohm | | Nominal output level | –10 dBV | | Maximum output level | +6 dBV | | DIGITAL input | RCA (coaxial) | | Input impedance | 75 Ohm | | Audio format | IEC60958 (SPDIF) | | Quantization | 24 bit | | DIGITAL output | RCA (coaxial) | | Output impedance | 75 Ohm | | Audio format | IEC60958 (SPDIF) | | Quantization | 24 bit | | PHONES | 6.3-mm stereo phone jack | | Maximum output power | 55 mW + 55 mW (at 32-Ohm load) | | Built-in loudspeaker | | | Output power | 500 mW | | Impedance | 16 Ohm |
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• Other inputs and outputs |
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| TIMECODE INPUT | XLR-3-31 (1: GND, 2: HOT, 3:COLD) | | Input impedance | 75 Ohm | | VIDEO INPUT | BNC | | Input impedance | 75 Ohm | | KEYBOARD | PS/2 | | FIREWIRE | IEEE 1394 (6-pin) | | Format | IEEE1394 (Asynchronous) | | Baud Rate | 400 Mbps |
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• Audio performance |
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| Frequency response | 20 Hz to 20 kHz, –1.0 dB (44.1/48 kHz) 20 kHz to 40 kHz, +0.5 dB/–4.0 dB (88.2/96 kHz) 20 Hz to 80 kHz, +0.5 dB/–20.0 dB (176.4/192 kHz) | | Dynamic range | > 105 dB(A) (MIC to LINE OUT, 44.1 kHz, 22-kHz LPF) | | Total harmonic distortion | < 0.01 % (1 kHz, max. level, Trim min, 22-kHz LPF, MIC to LINE OUT) | | Crosstalk | > 80 dB (1 kHz) | | Delay | 0.6 ms (44.1 kHz) 0.1 ms (192 kHz) | | Limiter attack time | < 25 µs | | Limiter release time | < 50 ms | | Low Cut filter | 100 Hz (–18 dB/Oct.) | | Phantom Power | +48 V, 10 mA |
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• Power supply and other specifications |
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| AC adapter input voltage | 100 V AC, 50–60 Hz 120 V AC, 60 Hz 230 V AC, 50 Hz 240 V AC, 50 Hz | | AC adapter output voltage | 12 V DC (600 mA) | | Batteries | 8 x AA (SUM-3), Alkaline, NiMH (recommended), NiCd | | Power consumption | 6 W (with CompactFlash) | | Operating temperature | 0 °C to 35 °C | | Display | 240 x 160 px with backlight | | Dimensions (W x H x D) | 260 mm x 196 mm x 65 mm | | Weight | 1.2 kg (excluding batteries and AC adapter) | | Supported operating systems | Windows XP/Vista, Macintosh OS X (10.3 or higher) |
Design and specifications subject to change without notice.

TASCAM HD-P2 SHOP SEE HELP FOR GUIDANCE | |
| Code | Item | Qty | Each ex Vat | Each inc Vat | Buy | | TAS-HD-P2 | Tascam HD-P2 Field Recorder including FREE CS-P2 Leather Carrying Case - IN STOCK
THIS RECORDER DOES NOT COME WITH COMPACT FLASH (CF) CARDS - PLEASE SEE OUR APPROVED CF CARDS BELOW. | 1 | £585 | £687 | | 
| SUGGESTED BATTERIES & CHARGERS FOR TASCAM DA-P2 Click here for our Batteries & Chargers page | | | | | | Code | Item | Qty | Each ex Vat | Each inc Vat | Buy | | ANS-E16-BS8 | Ansmann Energy-16 Charger & Battery Set Worldwide Professional Charger with 8 x 2850mAh high capacity rechargeable batteries - IN STOCK | 1 | £93 | £109 | | | ANS-AA-NMH2850-2 | Ansmann NiMH AA 2850mAh (Professional) Rechargeable Batteries x 8 (2 x Packs of 4) - IN STOCK | 1 | £27 | £32 | | | ANS-AA-DFP8 | Ansmann Alkaline AA Batteries x 8 (2 x Packs of 4) - IN STOCK | 1 | £3.40 | £4 | | | TASCAM HD-P2 ACCESSORIES | | | | | | Code | Item | Qty | Each ex Vat | Each inc Vat | Buy | | CAK-PYRO | Cakewalk PYRO Audio Creator audio editing & audio toolbox software - IN STOCK | 1 | £33 | £39 | | | TAS-CS-P2 | Tascam CS-P2 Leather Case with cut-outs to enable the HD-P2 to be used within the case - IN STOCK | 1 | £25 | £30 | | | PEL-LARGE-1 | PELI LARGE-1 Hard Case with interior foam, for HD-P2 with Microphone (We supply other sizes of hard case too - see our Recorder Accessories page) - IN STOCK | 1 | £99 | £116 | | | 
RECOMMENDED MICROPHONES FOR THE TASCAM HD-P2 | | | | | | Code | Item | Qty | Each ex Vat | Each inc Vat | Buy | | AT-AT804 | Audio-Technica AT804 Omnidirectional Dynamic Reporter's Microphone (requires any of the Connectronics microphone leads below) - IN STOCK | 1 | £84 | £99 | | | AT-AT8010 | Audio-Technica AT8010 (formerly ATM10a) Omnidirectional Condenser Reporter's Microphone (requires any of the Connectronics microphone leads below) - IN STOCK | 1 | £84 | £99 | | | AT-AT803 | Audio-Technica AT803 Omnidirectional Condenser Lavalier (Tie-Clip) Microphone (requires any of the Connectronics microphone leads below) - IN STOCK | 1 | £101 | £119 | | | AT-AT899 | Audio-Technica AT899 Sub-Miniature Omnidirectional Condenser Lavalier (Tie-Clip) Microphone (requires any of the Connectronics microphone leads below) - IN STOCK | 1 | £140 | £165 | | | AT-ATM73A | Audio-Technica ATM73a Cardioid Condenser Head Worn Microphone (requires any of the Connectronics microphone leads below) - IN STOCK | 1 | £111 | £129 | | | BEY-M58 | Beyer Dynamic M58 Omnidirectional Dynamic Reporter's Microphone (requires any of the Connectronics microphone leads below) - IN STOCK | 1 | £127 | £149 | | | BEY-MPC66-BK-XM | Beyer Dynamic MPC66-BK-XM Acoustic Boundary Microphone, Black, with captive lead and Male XLR Termination - IN STOCK | 1 | £127 | £149 | | | BEY-MPC66-WT-XM | Beyer Dynamic MPC66-WT-XM Acoustic Boundary Microphone, White, with captive lead and Male XLR Termination - NORMALLY AVAILABLE WITHIN 2-5 DAYS OF ORDER | 1 | £127 | £149 | | | AT-AT897 | Audio-Technica AT897 Short Shotgun Super-Directional Microphone (requires any of the Connectronics microphone leads below - also available: optional Reinhardt Pistol Grip & Wind-Gag - see below) - IN STOCK | 1 | £161 | £189 | | | AT-BP4029 | Audio-Technica BP4029 (formerly AT835ST) Stereo Short Shotgun Super-Directional Microphone (requires any of the Connectronics microphone leads below - also available: optional Reinhardt Pistol Grip & Wind-Gag - see below) - IN STOCK | 1 | £421 | £495 | | | SUP-E523D | Superlux E523/D Stereo One-Point Microphone - CURRENTLY IN VERY SHORT SUPPLY. WE ARE ADVISED THAT WE WILL RECEIVE OUR NEXT SHIPMENT IN JUNE. | 1 | £43 | £50 | | | REI-PG2-W22-250HW | Reinhardt PG2 + W22-200HW Pistol Grip and "Whisper" Wind-Gag for the Audio Technica AT897 and BP4029 Short Shotgun Microphones above - IN STOCK | 1 | £142 | £167 | | | CON-MU-102-BK-1 | Connectronics MUSIFLEX Microphone Lead, XLRF-to-XLRM, 2 Metres - IN STOCK | 1 | £10 | £12 | | | CON-MU-103-BK-1 | Connectronics MUSIFLEX Microphone Lead, XLRF-to-XLRM, 3 Metres - IN STOCK | 1 | £11 | £13 | | | CON-MU-104-BK-1 | Connectronics MUSIFLEX Microphone Lead, XLRF-to-XLRM, 5 Metres - IN STOCK | 1 | £12 | £14 | | 
| RECOMMENDED HEADPHONES FOR THE TASCAM HD-P2 | | | | | | AT-ATH-PRO700 | Audio-Technica ATH-PRO700 Fully Enclosed Portable Folding Headphones - IN STOCK | 1 | £101 | £119 | | | AT-ATH-ES5 | Audio-Technica ATH-ES5 On-Ear Portable Folding Headphones (The "Earsuit") - IN STOCK | 1 | £67 | £79 | | | AT-ATH-CM7TI | Audio-Technica ATH-CM7Ti In-Ear Reference Headphones (Earbuds) with exceptional studio-quality reference performance for this type of headphones - IN STOCK | 1 | £118 | £139 | | | AT-ATH-M30 | Audio-Technica ATH-M30 Closed Back General Purpose Headphones - IN STOCK | 1 | £47 | £55 | | |  APPROVED MEDIA FOR THE TASCAM HD-P2 | | | | | | Code | Item | Qty | Each ex Vat | Each inc Vat | Buy | | TAS-ST-FC2048 | Tascam Approved Compact Flash Card, 2Gb IN STOCK | 1 | £20 | £23 | | | TAS-ST-FC4096 | Tascam Approved Compact Flash Card, 4Gb IN STOCK | 1 | £33 | £39 | | | TAS-ST-FC8192 | Tascam Approved Compact Flash Card, 8Gb IN STOCK | 1 | £59 | £69 | |
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